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Info - Jojo Rabbit is a movie starring Roman Griffin Davis, Thomasin McKenzie, and Scarlett Johansson. A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home
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The Aeronauts Theatrical release poster Directed by Tom Harper Produced by Todd Lieberman David Hoberman Tom Harper Screenplay by Jack Thorne Story by Jack Thorne Based on Falling Upwards: How We Took to the Air by Richard Holmes Starring Eddie Redmayne Felicity Jones Himesh Patel Tom Courtenay Music by Steven Price Cinematography George Steel Edited by Mark Eckersley Production company Mandeville Films FilmNation Entertainment Distributed by eOne (United Kingdom) Amazon Studios (United States) [1] Release date 30 August 2019 ( Telluride) 4 November 2019 (United Kingdom) 6 December 2019 (United States) Running time 100 minutes [2] Country United Kingdom United States Language English Budget $40 million [3] Box office $3. 3 million [4] [5] The Aeronauts is a 2019 biographical adventure film directed by Tom Harper and written by Jack Thorne, from a story co-written by Thorne and Harper. The film is based on the 2013 book Falling Upwards: How We Took to the Air by Richard Holmes. [6] Produced by Todd Lieberman, David Hoberman, and Harper, the film stars Eddie Redmayne, Felicity Jones, Himesh Patel and Tom Courtenay. [7] The film had its world premiere at the Telluride Film Festival on 30 August 2019, followed by a showing at the 2019 Toronto International Film Festival. [8] [9] It was released in the United Kingdom on 4 November 2019, and in the United States on 6 December 2019. Plot [ edit] In 1862 London, pilots James Glaisher and Amelia arrive for the balloon launch. Despite being haunted by a vision of her late husband Pierre, Amelia keeps up the brave front and the balloon launches. In a flashback, James appears before the Royal Society and explains his theory that the weather can be predicted but he is laughed out of the building. Returning home, he talks to his parents, who try to persuade him to pursue another avenue of science. On the balloon, James and Amelia start rising through the cloud layer. They soon run into a violent storm which sends the balloon spinning. In a flashback, Antonia persuades her sister, Amelia, to attend a society function. There, Amelia is approached by James and he asks if she would be willing to be his pilot while he attempts to prove his theories to which she agrees. After a close brush with death, with James suffering a head injury, they make it through the storm and continue rising. James releases the first of five pigeons carrying messages stating the current altitude along with other scientific readings in case they don't survive. They discover an air current which is home to a group of butterflies, confirming one of the theories of James' friend John Trew, a theory that James had always disputed. In a flashback, as James practices for the flight, Amelia approaches and tells him she’s changed her mind. At this, John goes to see Amelia to convince her. Amelia goes to Pierre’s grave to reflect. When it begins to snow, as James had predicted, she decides to go with him after all. Eventually, the balloon exceeds 23, 000 feet (7. 0 km), beating the record for the highest altitude. Amelia finds out James didn’t bring any clothes suitable for the rapidly decreasing temperature and decides to start descending. James refuses, and the two argue. Amelia agrees to keep rising, but makes it clear to James that they’ll have to start descending soon. James starts experiencing hypoxia from the altitude as they ascend and insists they continue. The two get into a scuffle. That is when Amelia tells him the story of how Pierre sacrificed himself to save her during a balloon flight. This convinces James to descend. Amelia discovers the gas release valve on top of the balloon is frozen. As James falls unconscious, she has no choice but to climb up the outside of the balloon and open the valve from the top. With frostbite setting in on her hands, she struggles to wedge her boot in the valve, causing a slow release of the gas. Amelia loses consciousness and topples over the side but is saved by her rope tether. When she awakens, Amelia manages to swing back to the balloon and wakes James. As they continue to descend, snow begins to hover around them, and they realize the balloon is collapsing from the loss of too much gas. They manage to close the gas release but it is not enough to slow their descent, so they throw everything they can over the side. When this doesn’t work, they climb into the framework and release the basket. Amelia then prepares to sacrifice herself to save James, but James convinces her that they can use the balloon as a parachute, which slows their descent. They crash through trees and hit the ground hard, with Amelia being dragged along behind the balloon. She wakes and calls for James, who staggers towards her. Both are injured, but euphoric that they managed to survive, setting a new human flight altitude record of 37, 000 feet (11. 3 km). James’s findings eventually paved the way for the first weather forecasts. James and Amelia go on another balloon flight together. Cast [ edit] Production [ edit] In December 2016, Amazon Studios purchased the film rights to Jack Thorne 's spec script. [10] In mid-2018, Felicity Jones and Eddie Redmayne were confirmed to star in the film. [11] [12] They were reunited after 2014's The Theory of Everything, directed by James Marsh, as their past work and real-life friendship would help them in this new collaboration. [13] Filming commenced in early August, in West London Film Studios. [14] Filming locations in England included the Royal Naval College, Greenwich, Regent's Park, London, Claydon House, Buckinghamshire, the Bodleian Library in Oxford, and Wrotham Park, London. [14] Key action sequences in The Aeronauts were designed for IMAX and feature an expanded aspect ratio for both IMAX and select Premium Large Format cinemas. [15] Historical accuracy [ edit] The film is based on an amalgam of the flights detailed in Richard Holmes ' 2013 book Falling Upwards: How We Took to the Air ( ISBN 978-0-00-738692-5). The most significant balloon flight depicted in The Aeronauts is based on the 5 September 1862, flight of British aeronauts James Glaisher and Henry Coxwell whose coal gas filled balloon broke the world flight altitude record, reaching 9, 000 to 11, 000 m (30, 000 to 36, 000 ft). [16] However, while Glaisher appears in the film, Coxwell has been replaced by Amelia, a fictional character. [17] A report in the Daily Telegraph quotes Keith Moore, Head of Library at the Royal Society, as saying, "It's a great shame that Henry [Coxwell] isn't portrayed because he performed very well and saved the life of a leading scientist". Moore then criticised the film's fictional female protagonist, stating “There were so many deserving female scientists of that period who haven't had films made about them. Why not do that instead? " [18] In an interview with The List, Harper explained that whilst the film was inspired by a number of historical flights, the intention was never to make a documentary and he wanted the film to be reflective of a contemporary audience. He also commented on a gender bias in science, stating "There were female scientists around at the time, but not in the Royal Society... to this day, only eight percent of the Royal Society is female. " [19] [20] Other critics of the film have praised Amelia as an important, aspirational female character. Sasha Stone of Awards Daily wrote that The Aeronauts "inspires young girls and nudges the perspectives of young boys... (proving) that women can be just as excited about taking a hero's journey as any man can. " [21] In addition to Coxwell, actual individuals who compose Amelia's character include: Sophie Blanchard, the first woman to work as a professional balloonist, who became a celebrated aeronaut following her husband's death. Felicity Jones has stated that Blanchard was the inspiration for her character. [22] Margaret Graham, a British aeronaut and entertainer. Amelia's relationship with husband Pierre is chiefly based on Sophie Blanchard's flights with husband Jean-Pierre Blanchard, while Pierre's death is inspired by that of Thomas Harris on 25 May 1824. [23] Release [ edit] The film had its world premiere at the Telluride Film Festival on 30 August 2019. [24] It also screened at the 2019 Toronto International Film Festival on 8 September 2019. [25] Entertainment One gave the film a full theatrical release in the United Kingdom on 4 November, including screenings in 4DX and IMAX. [26] Amazon Studios released the film in the United States on 6 December for a limited theatrical run, before debuting it on Amazon Prime Video outside of the United Kingdom on 20 December 2019. [27] In October 2019, it was announced that The Aeronauts would screen at the IMAX TCL Chinese Theatre as part of AFI Fest. [28] Streaming [ edit] Although Amazon do not release exact streaming figures, Jennifer Salke, Head of Amazon Studios said in an interview with Deadline Hollywood that as of January 2020 The Aeronauts was the most viewed movie of all time on Amazon Prime. [29] Reception [ edit] Box office [ edit] The Aeronauts has grossed an estimated $340, 000 in North America and $2. 91 million in other territories, for a worldwide total of $3. 3 million, [4] [30] [5] against a production budget of $40 million. [3] As with its other fall release The Report, Amazon did not publicly release box office results for the film. However, 48 of the 186 theaters that did screen it in its opening weekend (6 December 2019) reported a combined gross of around $30, 000. [31] IndieWire estimated the film made a total of $185, 000 in its opening weekend, an average of $1, 000 per-venue. [32] It then made an estimated $100, 000 from 85 theaters in its second weekend [5] before its 20 December streaming debut on Amazon Prime. Critical response [ edit] On Rotten Tomatoes, the film has an approval rating of 72% based on 177 reviews, with an average rating of 6. 42/10. The website's critics consensus states: "Thrilling visuals and the substantial chemistry of its well-matched leads make The Aeronauts an adventure well worth taking. " [33] On Metacritic, the film has a weighted average score of 60 out of 100, based on reviews from 36 critics, indicating "mixed or average reviews". [34] Todd McCarthy of The Hollywood Reporter wrote: " The Aeronauts achieves impressive elevation as a bracing and sympathetic account of two early and very different aviators who together reached literal new heights in a perilous field of endeavor. " [35] Fionnuala Halligan of Screen International wrote about the chemistry of the lead actors and the great craft on display in the film: "With the widest of wide-screens, the most vertiginous of vistas, this hot air balloon takes to the skies and soars. " [36] Tomris Laffly of Variety praised the visuals and the lead performers: "The duo [of Redmayne and Jones] hand-in-hand elevates The Aeronauts.. a flimsy action-adventure to something worth watching on the biggest possible screen, even if it operates on a handful of clichés with little character-based substance to speak of. " [37] Many critics also applauded the film's special effects and visuals. Peter Bradshaw of The Guardian noted the film's "terrific special effects" and "high-anxiety suspense". [38] Eric John of IndieWire wrote: "When so many supersized blockbusters take the potential of CGI action for granted, The Aeronauts finds a fresh use for it by turning the exhilaration of discovery into a real visual treat. " [39] In a generally positive review, critic Bob Mondello showed special enthusiasm for the airborne scenes, writing: "I cannot say strongly enough that if you can see it in IMAX, you should see it in IMAX, where if you're even a little bit afraid of heights, it will likely scare you shoutless. " [40] Accolades [ edit] Notes [ edit] ^ Rennes and Wren are both stated as the last name of the lead, Amelia. The character is credited as "Amelia Wren" although in the film Amelia is shown looking at a handbill with the notice "The aeronaut and his bride, Pierre and Amelia Rennes, 14th September 1856" and her husband's graveside bears the inscription "In loving memory Pierre Rennes". References [ edit] ^ Boland, Hannah (31 December 2018). "Amazon in talks to release original films in Imax cinemas in 2019". The Daily Telegraph. Telegraph Media Group. Retrieved 19 January 2019. ^ "The Aeronauts (2019)". British Board of Film Classification. Retrieved 13 January 2020. ^ a b Gant, Charles (7 October 2019). "How Tom Harper ensured the $40m 'The Aeronauts' took flight with Amazon Studios". Screen Daily. Media Business Insight. Retrieved 25 October 2019. ^ a b "The Aeronauts (2019)". Box Office Mojo. Retrieved 10 February 2020. ^ a b c Brueggemann, Tom (15 December 2019). " ' Uncut Gems' and 'Bombshell' Soar, Malick's 'A Hidden Life' Drags". IndieWire. Penske Media Corporation. Retrieved 15 December 2019. ^ Bricker, Tierney (6 December 2019). "How The Aeronauts Drastically Changed the Real-Life Story". E! Online. Retrieved 23 December 2019. ^ Paur, Joey (16 August 2018). "Felicity Jones and Eddie Redmayne Featured in First Photo From Amazon's 'The Aeronauts ' ". Geek Tyrant. Retrieved 6 November 2018. ^ McIntosh, Steven (9 September 2019). "Redmayne and Jones on 'wonderful' screen reunion". BBC News. Retrieved 9 September 2019. ^ "The Aeronauts". Toronto International Film Festival. ^ Lodderhose, Diana; Fleming Jr., Mike (8 December 2016). "Amazon Studios Takes Flight With Hot Package 'The Aeronauts ' ". Deadline Hollywood. Retrieved 13 August 2019. ^ Pearson, Ben (15 August 2018). " ' The Aeronauts' First Look: Felicity Jones and Eddie Redmayne Reunite 2, 000 Feet in the Sky". /Film. Retrieved 6 November 2018. ^ Heath, Paul (15 August 2018). "First Look At Eddie Redmayne & Felicity Jones In Amazon's 'The Aeronauts ' ". The Hollywood News. Retrieved 6 November 2018. ^ White, Abbey (12 May 2019). "How Felicity Jones and Eddie Redmayne's Rapport Was Key to 'Aeronauts' Dynamic". The Hollywood Reporter. Valence Media. Retrieved 1 January 2020. ^ a b O'Byrne, Audrey (22 August 2018). "U. K. Now Filming: Amazon's Star-Studded 'The Aeronauts ' ". Backstage. Retrieved 6 November 2018. ^ Petski, Denise (14 May 2019). " ' The Aeronauts' Will Have One-Week Imax Run In October". Retrieved 24 October 2019. ^ "Two aeronauts break world record for altitude in a balloon 5 September 1862". History. Retrieved 30 August 2019. ^ Malvern, Jack. "Ballooning hero becomes a woman for new Eddie Redmayne film The Aeronauts". The Times. ISSN 0140-0460. Retrieved 14 August 2019. (subscription required) ^ Bodkin, Henry (15 August 2018). "Ballooning hero 'airbrushed' from history to make way for female character in Eddie Redmayne film". UK: Telegraph Media Group. Retrieved 24 August 2019. ^ Mottram, James. "Tom Harper: 'They were taking these extraordinary risks to further human knowledge and to see the world differently ' ". The List. Retrieved 11 November 2019. ^ Holmes, Richard (21 November 2010). "The Royal Society's lost women scientists". The Observer. ISSN 0029-7712. Retrieved 24 October 2019. ^ Stone, Sasha. "The Aeronauts – A Flight of Fancy With a Great Performance by Felicity Jones". Awards Daily. ^ Scott, Walter (21 December 2018). "Felicity Jones on Meeting Ruth Bader Ginsburg & Why She Joined Star Wars". Parade. AMG/Parade. Retrieved 27 August 2019. ^ Winchester, Simon (25 October 2013). "Book Review: 'Falling Upwards' by Richard Holmes". The Wall Street Journal. ISSN 0099-9660. Retrieved 28 May 2019. (subscription required) ^ Hammond, Pete (29 August 2019). "Telluride Film Festival: 'Ford V Ferrari', 'Judy', 'Motherless Brooklyn', Weinstein-Inspired Drama 'The Assistant' Among Premieres Headed To 46th Edition – Full List". Retrieved 29 August 2019. ^ Fleming Jr., Mike (13 August 2019). "Toronto Adds 'The Aeronauts, ' 'Mosul, ' 'Seberg, ' & More To Festival Slate". Retrieved 13 August 2019. ^ Grater, Tom. " ' The Aeronauts' to get full UK theatrical window despite Amazon strategy shift (exclusive)". ScreenDaily. ^ Wiseman, Andreas (23 July 2019). "Amazon Shifts Release Date & Cuts Theatrical Window For Potential Awards Pic 'The Aeronauts' With Eddie Redmayne & Felicity Jones". Retrieved 23 July 2019. ^ Hipes, Patrick. "AFI Fest Rounds Out Gala Slate With 'The Aeronauts', 'The Two Popes'; Alan J. Pakula Getting Tribute". Retrieved 23 October 2019. ^ Fleming Jr., Mike (23 January 2020). "Last Sundance's Top Buyer Amazon Is All In At Park City: Jennifer Salke Q&A". Retrieved 24 January 2020. ^ "The Aeronauts (2019)". The Numbers. Retrieved 10 February 2020. ^ D'Alessandro, Anthony (8 December 2019). " ' Frozen 2' Leads Dreary December Weekend With $34M+, 'Playmobil' Plunges To $670K – Sunday Update". Retrieved 8 December 2019. ^ Brueggemann, Tom (8 December 2019). "Neon's 'Portrait of a Lady on Fire' Grabs Arthouse Crowd, Amazon's 'The Aeronauts' Deflates". Retrieved 8 December 2019. ^ " The Aeronauts (2019)". Rotten Tomatoes. Fandango Media. Retrieved 29 January 2020. ^ " The Aeronauts Reviews". Metacritic. CBS Interactive. Retrieved 11 December 2019. ^ McCarthy, Todd (1 September 2019). " ' The Aeronauts': Film Review | Telluride 2019". Valence Media. ^ Halligan, Fionnuala. " ' The Aeronauts': Review". Retrieved 24 October 2019. ^ Laffly, Tomris (4 September 2019). "Telluride Film Review: 'The Aeronauts ' ". Variety. Retrieved 23 September 2019. ^ Bradshaw, Peter (10 September 2019). "The Aeronauts review – charming balloon adventure way up where the air is clear". The Guardian. UK: Guardian Media Group. Retrieved 10 September 2019. ^ Kohn, Eric (1 September 2019). " ' The Aeronauts' Review: 'Gravity' Meets 'Free Solo' in Gripping Hot-Air Balloon Adventure". Retrieved 1 September 2019. ^ Mondello, Bob (5 December 2019). "Movie Review: 'The Aeronauts ' ".. Retrieved 6 December 2019. ^ Hammond, Pete (8 December 2019). " ' The Irishman', 'Once Upon A Time In Hollywood' Lead Critics' Choice Nominations; Netflix Dominates With 61 Noms In Movies And TV". Retrieved 8 December 2019. ^ Hipes, Patrick (7 January 2020). "VES Awards Nominations: 'The Lion King', 'Alita: Battle Angel', 'The Mandalorian' & 'GoT' Top List". Retrieved 7 January 2020. External links [ edit].

Out of the 2 people they decided to change in this event, they changed the true hero of the story. Miles high, at -29C, Henry Coxwell climbed the top of the balloon to open the valve saving both their lives. This just feels disrespectful.
Help me find cinema dfiles les a c3 ronautes remix.
Id watch this, because you see where technology is going, the PLUG -IN part was hilarious.
Filmdaten Originaltitel The Aeronauts Produktionsland Vereinigtes Königreich, USA Originalsprache Englisch Erscheinungsjahr 2019 Länge 101 Minuten Stab Regie Tom Harper Drehbuch Tom Harper, Jack Thorne Produktion Tom Harper, David Hoberman, Todd Lieberman Musik Steven Price Kamera George Steel Schnitt Mark Eckersley Besetzung Eddie Redmayne: James Glaisher Felicity Jones: Amelia Wren Himesh Patel: John Trew Vincent Perez: Pierre Rennes Phoebe Fox: Antonia Anne Reid: Ethel Glaisher Tim McInnerny: Airy Tom Courtenay: Arthur Glaisher Rebecca Front: Tante Frances Synchronisation The Aeronauts (dt. Die Aeronauten) ist ein Abenteuerfilm von Tom Harper, der am 30. August 2019 im Rahmen des Telluride Film Festivals seine Premiere feierte. Im Zentrum der Filmbiografie stehen der Ballonfahrtpionier James Glaisher und die ihm an die Seite gestellte fiktive Amelia Wren. Am 8. November 2019 kam der Film in die Kinos im Vereinigten Königreich, am 6. Dezember 2019 in die US-Kinos und wurde am 20. Dezember 2019 in das Programm von Prime Video aufgenommen. Handlung [ Bearbeiten | Quelltext bearbeiten] Im Jahr 1862 willigt die wohlhabende junge Witwe und Pilotin Amelia Wren trotz der Bedenken ihrer Schwester Antonia ein, gemeinsam mit dem ehrgeizigen Meteorologen James Glaisher eine Ballonexpedition zu unternehmen, um den damaligen französischen Rekord zu brechen und höher als jeder andere in der Menschheitsgeschichte zu fliegen. Seine Intention für den Flug ist, Messungen in höheren Luftschichten durchzuführen, um die Meteorologie zur Wettervorhersage zu entwickeln, was laut Aussage des Films bis zu diesem Zeitpunkt als unwissenschaftlich gilt. Von seinen Forscherkollegen, auch einem, der Zugang zu einem anderen Ballon hätte, wird dieses Ziel nicht unterstützt und ins Lächerliche gezogen. Noch mehr als James hatte unter diesem Spott auch dessen Vater gelitten. Der Start in London wird von Amelia und einem Showmaster am 5. September einer zahlenden Menschenmenge dramatisch präsentiert, was dem Theoretiker James sichtlich unangenehm ist. Während Amelia einen Hund zu Showzwecken mitführt, hat James neben einer Vielzahl von Messgeräten eine Batterie von Brieftauben an Bord, um von unterwegs live über Flug- und Wetterdaten zu berichten. Während sich die beiden verschiedenen Charaktere näher kennen lernen, rettet James das Leben von Amelia bei einem ersten Unfall im Sturm. Mit dem Aufstieg über die Wolken wird der Flug ruhig und sie sind begeistert von der Aussicht, bis sie schließlich wissen, dass sie den Rekord gebrochen haben. Doch bald danach kommt es zu einem Streit, ob sie noch weiter nach oben aufsteigen oder wieder nach unten gehen sollen. Die Temperatur sinkt immer weiter, und auf der Außenhaut ihres Ballons finden sich Schnee und Eis. Dennoch beschließen sie den weiteren Aufstieg. In großer Höhe bei schließlich unter fünf Grad Fahrenheit merken beide, dass das Ventil zum Ablassen von Wasserstoff vereist ist, und sie eigentlich keine Möglichkeit mehr für einen Abstieg haben, bevor sie das Bewusstsein verlieren oder erfrieren werden. James’ Assistent John Trew kann ihre gefährliche Reise nur vom Boden aus verfolgen. Hintergrund [ Bearbeiten | Quelltext bearbeiten] James Glaisher hatte einige Jahre in Irland bei Landvermessungen gearbeitet, bis er den Posten eines Assistenten bei den Sternwarten in Cambridge und Greenwich bekam. Nach der Gründung der Abteilung für Meteorologie und Magnetismus in Greenwich übernahm er 1838 deren Leitung und übte diese 34 Jahre bis zu seinem Eintritt in den Ruhestand aus. Er war Gründungsmitglied der Meteorologischen Gesellschaft und der Aeronautischen Gesellschaft von Großbritannien. Am berühmtesten wurde Glaisher zu seiner Zeit jedoch als ein Pionier der Aerologie. Gemeinsam mit dem Ballonfahrer Henry Coxwell unternahm er zwischen 1862 und 1866 insgesamt 28 wissenschaftliche Ballonfahrten. Auf ihrer siebenten Luftfahrt am 5. September 1862 stiegen sie im offenen Korb auf etwa 8. 800 Meter, was eine bis dahin noch von keinem Menschen erreichte Höhe war. Während Glaisher wegen der dünnen Luft das Bewusstsein verlor, konnte Coxwell nur unter Aufbietung seiner letzten Kräfte mit seinen Zähnen das Steuerventil öffnen, um den Ballon zum Absinken zu bringen. Während der in The Aeronauts dargestellte Ballonflug auf dem Flug der beiden vom 5. September 1862 basiert, wurde Coxwell durch die fiktive junge Witwe Amelia Wren ersetzt. [1] Diese Figur basiert auf mehreren wirklich lebenden Ballonfahrerinnen und Abenteurerinnen, so Sophie Blanchard, die erste Frau, die als professionelle Ballonfahrerin arbeitete und nach dem Tod ihres Mannes eine gefeierte Aeronautin wurde, die Britin Margaret Graham und Amelia Earhart, die berühmte US-amerikanische Fliegerin. Produktion [ Bearbeiten | Quelltext bearbeiten] Der Film wurde von den Amazon Studios produziert. [2] Regie führte Tom Harper, der gemeinsam mit Jack Thorne auch das Drehbuch schrieb. Eddie Redmayne übernahm die Rolle von James Glaisher, ein Meteorologe, der mit dem Ballonflug eine Theorie testen will [3], Felicity Jones spielt die junge Witwe Amelia Wren. Beide standen zuletzt gemeinsam für den Film Die Entdeckung der Unendlichkeit aus dem Jahr 2014 vor der Kamera. [4] [5] Amelias verstorbener, abenteuerlustiger Ehemann Pierre Rennes wird von Vincent Perez gespielt und ist in Rückblenden zu sehen, die eine kleine Hintergrundgeschichte erzählen. [6] [3] Himesh Patel spielt Glaishers Assistenten John Trew, der die Reise vom Boden aus verfolgt. Tom Courtenay spielt den demenzkranken Vater. [3] Gedreht wurde in London und an anderen Orten im Vereinigten Königreich. [5] So drehte man in den West London Film Studios, Außenaufnahmen entstanden am Greenwich Naval College und im Regent's Park, Innenaufnahmen im Claydon House in Buckinghamshire und im Hatfield House in Hertfordshire. Authentizität habe für ihn und seine Kollegen oberste Priorität gehabt, so Produzent Todd Lieberman. Daher wurde versucht, so viel mit einem echten Ballon am Himmel zu filmen, wie es das Wetter erlaubt. Szenen in einem echten Heißluftballon entstanden, während ein Helikopter alles einfing. [7] Als Kameramann fungierte George Steel. Für die Kostüme zeichnete die Oscar-Preisträgerin Alexandra Byrne verantwortlich. Die Filmmusik komponiert Steven Price. [8] Erstes Bildmaterial wurde im August 2018 vorgestellt. [7] Ende August 2019 stellten die Amazon Studios einen ersten Trailer vor. [9] [10] Der Film feierte am 30. August 2019 im Rahmen des Telluride Film Festivals seine Premiere. [11] Ab 8. September 2019 erfolgten Vorstellungen im Rahmen des Toronto International Film Festivals. [12] Anfang Oktober 2019 soll er beim London Film Festival vorgestellt werden. [13] Der Film kam am 8. November 2019 in die Kinos im Vereinigten Königreich, am 6. Dezember 2019 in die US-Kinos [14] und wurde am 20. Dezember 2019 in das Programm von Prime Video aufgenommen. Rezeption [ Bearbeiten | Quelltext bearbeiten] Altersfreigabe [ Bearbeiten | Quelltext bearbeiten] In den USA wurde der Film von der MPAA als PG-13 eingestuft. Kritiken [ Bearbeiten | Quelltext bearbeiten] Der Film konnte bislang 72 Prozent aller Kritiker bei Rotten Tomatoes überzeugen. [15] Todd McCarthy vom Hollywood Reporter schreibt, dieses Abenteuer, das sehr lebhaft in nahezu Echtzeit erzählt wird, biete Spannung und einzigartige Figuren, die das Publikum ansprechen sollten. Regisseur Tom Harper erwecke diese ungewöhnliche Geschichte zu neuem Leben. Obwohl die ernsthaften Absichten von Glaishers Expeditionen im wahren Leben anerkannt sind, könne niemand behaupten, dass es sich bei dem, was wir im Film sehen, nicht ebenfalls um eine wahre Geschichte handeln könnte. [6] Gregory Ellwood von The Playlist hebt in seiner Kritik besonders die Ausstattung von David Hindle und Christian Huband, die Arbeit des Kameramanns George Steel sowie Harpers Team für die digitalen Effekte hervor, die in Kombination eine Reise erschaffen haben, die gleichzeitig realistisch und leicht fantastisch wirke. [3] Einspielergebnis [ Bearbeiten | Quelltext bearbeiten] Der Film konnte weltweit knapp 2, 6 Millionen US-Dollar einspielen. [16] Auszeichnungen [ Bearbeiten | Quelltext bearbeiten] Critics’ Choice Movie Awards 2020 Nominierung für die Besten visuellen Effekte Visual Effects Society Awards 2020 Nominierung in der Kategorie Visuelle Effekte als Unterstützung in einem fotorealistischen Spielfilm (Louis Morin, Annie Godin, Christian Kaestner, Ara Khanikian und Mike Dawson) [17] Synchronisation [ Bearbeiten | Quelltext bearbeiten] Die deutsche Synchronisation entstand nach einem Dialogbuch und der Dialogregie von Gerd Naumann im Auftrag der Studio Hamburg Synchron GmbH. Darsteller Synchronsprecher Rolle Felicity Jones Nora Jokhosha Amelia Wren Eddie Redmayne Timmo Niesner James Glaisher Himesh Patel Jesse Grimm John Trew Phoebe Fox Simona Pahl Antonia Tom Courtenay Eckart Dux Arthur Glaisher Vincent Perez Sascha Rotermund Pierre Rennes Thomas Arnold Lutz Schnell Charles Green Lewin Lloyd Emil Mohr Charlie Anne Reid Isabella Grothe Ethel Glaisher Robert Glenister Eberhard Haar Ned Chambers Rebecca Front Anja Topf Tante Frances Tim McInnerny Bernd Vollbrecht Airy Weblinks [ Bearbeiten | Quelltext bearbeiten] The Aeronauts in der Internet Movie Database (englisch) The Aeronauts in der Deutschen Synchronkartei The Aeronauts im Programm des Toronto International Film Festivals (englisch) The Aeronauts – Official Trailer von Amazon Prime Video bei YouTube (Video, englisch) Einzelnachweise [ Bearbeiten | Quelltext bearbeiten] ↑ Jack Malvern: Ballooning hero becomes a woman for new Eddie Redmayne film The Aeronauts. In: The Times, 16. August 2018. ↑ Tobias Tißen: „The Aeronauts“: Eddie Redmayne und Felicity Jones sollen die Hauptrollen im Ballonfahrer-Abenteuer übernehmen. In:, 28. November 2017. ↑ a b c d Gregory Ellwood: The Fire Of Felicity Jones Keeps ‘The Aeronauts’ Airborne. In: The Playlist, 1. September 2019. ↑ Ben Pearson: 'The Aeronauts' First Look: Felicity Jones and Eddie Redmayne Reunite 2, 000 Feet in the Sky. In:, 15. August 2018. ↑ a b Andreas Wiseman: Felicity Jones-Eddie Redmayne Ballooning Pic 'The Aeronauts' Under Way In UK, Amazon Releases Striking First-Look. August 2018. ↑ a b Todd McCarthy: 'The Aeronauts': Film Review. In: The Hollywood Reporter, 1. September 2019. ↑ a b Tom Cruise wäre stolz: Spektakulärer Blick auf „The Aeronauts“. In:, 16. August 2018. ↑ Steven Price Scoring Tom Harper’s 'Aeronauts'. In:, 10. Juni 2019. ↑ Garth Franklin: First Trailer: Amazon’s „The Aeronauts“. In:, 29. August 2019. ↑ Eddie Redmayne und Felicity Jones wollen im ersten Trailer zu „The Aeronauts“ hoch hinaus. August 2019. ↑ Gregory Ellwood: Telluride 2019: 'Ford v. Ferrari', 'Judy' & 'Uncut Gems' Are Official World Premieres. August 2019. ↑ «Lucy in the Sky», «The Aeronauts» und ein schräger Film mit Nicolas Cage laufen alle in Toronto. Abgerufen am 30. September 2019. ↑ 63rd BFI London Film Festival programme announced. August 2019. ↑ Andreas Wiseman, Andreas Wiseman: Amazon Shifts Release Date & Cuts Theatrical Window For Potential Awards Pic ‘The Aeronauts’ With Eddie Redmayne & Felicity Jones. In: Deadline. 23. Juli 2019, abgerufen am 30. September 2019 (englisch). ↑ The Aeronauts. In: Rotten Tomatoes. Abgerufen am 10. Dezember 2019. ↑ The Aeronauts. In:. Abgerufen am 15. Dezember 2019 (englisch). ↑ Erik Anderson: Visual Effects Society (VES) nominations: 'The Mandalorian', 'Alita: Battle Angel' lead. In:, 7. Januar 2020.
Throw those cards, hell yes, this is some dramatic shit. I love this interview ( ˘ω˘ )☞♡☜( ˘ω˘.

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“wake up bitchhh” i need that alarm 💀💀. Dumbest movie in a long while. So at least 2 Norwegians know the value of being grounded or re-grounding oneself. Aurora being the other one. Who else, of today's younger singers, writes about this. Help me find cinema dfiles les a c3 ronautes html. Yeah look. I'm not expecting more than I am number 4. but I'll go see it.

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  • reviews - Advocate is a movie starring Hanan Ashrawi, Tareq Barghout, and Avigdor Feldman. A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years


Netanyahu already said its fake news. 🙏🏼 I accepted as UN call both Israel and Palestine territory to protect children and all everyone to sustain Peaceful. Please dont take violence to justify each others. At times of changed, lets go with Forgiveness. Please live side by side and kindness with Language Laws to each one. Thank you 😊 🙏🏼. Zionist terror must be stopped. Lea Tsemel is one of the few reasons that makes you proud to be an Israeli. Another point to make is that BDS isn't working. Excluding oil, natural gas and metals, Israel exports more than Russia, with 1/15th the people. I love CAPITALISM. I want a WW3. I am really tired of watching humans torturing earth and its species.

Lea tsemel anwältin freestyle. No, she is nothing but a hypocrite and a Jew hater, and we have many of her kind around the Glob, some of these kind of people R in for money, that R given to their so called organization, from the fakestinians and the far left, and some like to tell lies and what the inept world want to hear and not the truth, in order to make a name for themselves. Wake up world! Israel and the US are the two villains in this long running movie.

Israel palastein issues. World hope peaceful settlements. Democracy now is one of the best news in the world. But about this clip, i should say it's too hard for me to believe z~i~o~s. Because their government made a bad name for all of them. People around the world can't believe them anymore because they have a leader like satanyahu. All of their leaders have kept killing innocent people and they've bullied everybody, Since ww2 till right now. Even here in US, u can see soros supporting democrats and sheldon supporting republicans. Its been decades they've played dirty games with american people. Besides, they own all famous US medias included cnn, fox news, cbs, nbc, msnbc and abc.

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✡ Long Live Zion ✡. Thank you. Leah Tsemel Leah Tsemel (2019) Born 1945 Haifa Nationality Israeli Occupation lawyer Awards Liberty, Equality, Fraternity award, Hans Litten prize Leah Tsemel, or Lea Tsemel ( Hebrew: לאה צמל, born 19 June 1945) is an Israeli lawyer known for her work in support of Palestinian rights. [1] [2] She defines her career as one involving “everything [that occurs] between the Palestinians and the authorities". [3] Her five decades of representing Palestinian defendants in the Israeli court system is the subject of the documentary film Advocate, which came out in 2019. Biography [ edit] Tsemel was born in Haifa, Mandate Palestine in 1945. [2] Her parents, who made aliyah in the 1930s, came from Belarus and Poland, and her father was an engineer. [3] She studied law at Hebrew University in the late 1960s. [4] She is married to anti-Zionist activist Michel Warschawski, and they have two children, Nissan and Talila and seven grandchildren. [3] [5] Legal work [ edit] In 1971, Tsemel became an apprentice to human rights lawyer Felicia Langer. [4] Tsemel represented activist Ezra Nawi. [6] An Israeli settler claimed Nawi hindered the settler from filming Nawi's assistance of Palestinians, and Nawi was convicted and fined. [6] On appeal, Tsemel successfully argued that the area the Palestinians were farming did not belong to the settler. [6] Nawi's conviction was overturned. [6] Tsemel represented student Salah Hamouri after he was indicted on two counts: for planning to assassinate rabbi Ovadia Yosef and for being a member of the Popular Front for the Liberation of Palestine. [7] She advised Hamouri to plead guilty to the latter in exchange for a lighter sentence. [7] Tsemel is "nondiscriminating about her clientele... whoever they might be and whatever charges they might face" [4] and is known for defending suicide bombers. [8] Activism [ edit] Tsemel criticized Camp 1391, an Israel Defense Forces prison camp for high-risk prisoners in northern Israel, [9] stating, "anyone entering the prison can be made to disappear, potentially forever, it's no different from the jails run by tinpot South American dictators. " [10] Tsemel was a participant in the Russell Tribunal on Palestine. [11] She was a candidate for the Joint List in the 2015 general election. Tsemel’s career as an Israeli human-rights lawyer defending Palestinians is the subject of the 2019 documentary, Advocate, directed by Rachel Leah Jones and Philippe Bellaïche. [12] [13] Awards [ edit] Tsemel, together with Palestinian lawyer Raji Sourani, received the 1996 "Liberty, Equality, Fraternity" award, [14] the highest human rights award granted by the government of France. [2] [15] Tsemel, together with Palestinian advocate Mohammad Na'amneh, received the 2004 Hans Litten prize from the European Association of Lawyers for Democracy and World Human Rights. [16] References [ edit] ^ Ciotti, Paul (April 27, 1988). "Israeli roots, Palestinian clients: Taking the Arab cause to court has earned Jewish lawyer Lea Tsemel the wrath of her countrymen" Los Angeles Times Retrieved on February 2, 2014. ^ a b c American Friends Service Committee (March 30, 2010). Leah Tsemel Retrieved on February 2, 2014. ^ a b c Ravit Hecht, 'The Israeli Lawyer Who Defends the Most Violent Fighters Against the Occupation, ' Haaretz 25 May 2019 ^ a b c Hajjar, Lisa (2005). Courting conflict: The Israeli military court system in the West Bank and Gaza, pp. 168-69. University of California Press, Berkeley. ISBN   0520241932 ^ Salokar, Rebecca Mae and Volcansek, Mary L. (1996). Women in law: A bio-bibliographical sourcebook, pp. 313-20. Greenwood Press, Westport. ISBN   9781567509144 ^ a b c d Haaretz (22 December 2005). A humble house in the hills Haaretz Retrieved on February 2, 2014. ^ a b Ben-Ami, Nina (December 23, 2008). Affaire Salah Hamouri: la réponse de l'ambassade d'Israël, Le Nouvel Observateur. Retrieved on February 2, 2014. ^ Berg, Raffi (July 24, 2003). The Israeli who defends suicide bombers BBC News Online Retrieved on February 2, 2014. ^ BBC News (December 2, 2003). Israel court lifts prison secrecy BBC News Retrieved on February 2, 2014 ^ Cook, Jonathan. Facility 1391: Israel's Guantanamo, Le Monde diplomatique (November 2003), reprinted Archived 2006-08-06 at the Wayback Machine in CounterPunch (12 November 2003) Retrieved on February 2, 2014. ^ Russell Tribunal on Palestine (November 2011). Lea Tsemel Retrieved on February 2, 2014. ^ "Rachel Leah Jones, Lea Tsemel • Director and protagonist of Advocate". Cineuropa - the best of european cinema. Retrieved 2019-06-18. ^ Stern, Itay (2019-05-30). "Documentary on Israeli Lawyer Who Defends Palestinians Wins at DocAviv Festival". Haaretz. Retrieved 2019-06-18. ^ Commission nationale consultative des droits de l'homme, Prix des droits de l'homme Retrieved on February 2, 2014. ^ Palestinian Centre for Human Rights (December 7, 1996). Palestinian centre for human rights wins France’s highest award for human rights endeavours. Retrieved on February 2, 2014. ^ European Association of Lawyers for Democracy and World Human Rights (February 5, 2005). European Association of Lawyers for Democracy and World Human Rights awards HANS-LITTEN-PRICE to Lea Tsemel and Mohammad Na'amneh Retrieved on February 2, 2014. External links [ edit] “Advocate”: Israeli Attorney Lea Tsemel Reflects on Defending Palestinians Who Resist Occupation, Democracy Now, June 14, 2019.

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We are all Palestinians now. Lea tsemel 2c anw c3 a4 latin free games. Sharing, Justice and Peace for All. An interview with the director of Advocate, the Oscar-shortlisted film about the Israeli lawyer dedicated to defending Palestinians. “ I ’m an Israeli occupier no matter what I do. I enjoy the ‘fruits’ of the occupation, both bitter and sweet. And despite my moral obligation as an Israeli, I didn’t manage to change the regime and its policies. On what moral grounds should I judge the people who resist my occupation? ” So says Jewish Israeli attorney Lea Tsemel as she explains her life’s work defending Palestinian clients—many of whom most Israelis consider to be terrorists—in the documentary film Advocate. Directed by Rachel Leah Jones and Philippe Bellaïche, both Israeli citizens, the film is one of 15 documentaries shortlisted for an Oscar nomination—quite an achievement for a film that humanizes Palestinians caught up in Israel’s criminal justice system for resisting Israeli occupation, both nonviolently and violently. The film follows Tsemel’s work on two recent court cases involving Palestinian residents of East Jerusalem who were charged with committing violent acts against Israelis, and is interwoven with archival footage of Tsemel’s past cases as well as interviews with her two children; Palestinian leader and activist Hanan Ashrawi; and her husband, Michel Warschawski. Warschawski, a well-known anti-Zionist activist, himself became one of Tsemel’s clients after being arrested in 1987 for publishing a know-your-rights booklet edited by students with ties to the Popular Front for the Liberation of Palestine. When he complained to her about the punishing interrogation tactics, he recalls in the film, she told him he wasn’t worthy of being her husband. Fearless, tough, and powerfully charismatic, Tsemel is a familiar character—what she herself has described as “a typical Israeli, Sabra, if you want”—but with a crucial twist: The 74-year-old, who is fluent in Arabic as well as Hebrew, deploys her uncompromising fierceness in the service of fighting the system. In 1999, she was part of a team of lawyers that argued—and won—a landmark case before the Israeli Supreme Court barring torture of Palestinians in interrogations. While many of her cases haven’t led to such decisive victories, including the two cases profiled in Advocate, she nonetheless keeps arguing, keeps fighting. Says Jones, the film’s director, during a recent chat with The Nation: “I was making the film to remind myself what it meant to be critical, principled, what it could look like. And Lea models that probably better than anyone else. ” Mairav Zonszein: How did you come to meet and get to know Lea Tsemel? Rachel Leah Jones: I grew up in Israel, all of my elementary school, and then we moved back to the States. I came into young adulthood during the First Intifada and became critical of Israel politically, but didn’t know how that reconciled with my Israeli inner child. I did my third year of college in Israel-Palestine in 1991 to ’92, and I met people like Michel [Lea’s husband] and Lea. They helped me re-locate myself and understand how to be both Israeli and live there and be critical. They played a formative role for me and modeled that you can love the people, love the land, and yet you don’t have to love the regime. A lot of people understand, even on the far right, that people like Lea and Michel are incredibly invested. They are reaching different conclusions, but they care, and that matters in Israeli society. They are concerned citizens. And that “caring” has informed the potent response to the film in Israel over the last year and how people deal with Lea on the job. A lot of people she deals with daily, she has nothing in common with ideologically—and they adore her. As much as she is a woman they love to hate, she is also the woman they hate to love. MZ: Why did you decide to tell this particular story, and what did you hope to achieve by telling it? RLJ: I made the film together with Philippe Bellaïche, who is my partner in life and in this project. We didn’t have the exact same motivations when we got started. As a cameraperson, he really wanted to not talk about what she does so much as look at how she does it. We understand the what but how does that actually translate in life, in practice? He didn’t have a target audience that was sociologically or political defined. I think quite early on I understood I was probably making this film for myself more than anyone else. I didn’t feel like I stood any chance of converting anybody through the film, even though that has proven to be untrue—not converting but influencing, for sure. After the 2015 [Israeli] election, when we started this project, it was the first time I wasn’t 100 percent comfortable being who I am. For me, as both an American and Israeli Jew, the most comfortable place to be critical of Israel had always been in Israel. But that shifted for me, personally. I was making the film to remind myself what it meant to be critical, principled, what it could look like. And Lea models that probably better than anyone else. MZ: In the film, Tsemel’s son talks about a time she was verbally threatened on the street. But the film doesn’t really devote any time to the personal toll this line of work takes on her. She seems undaunted. But there must be a personal emotional toll. Did you choose not to portray that or were you simply not exposed to it? RLJ: Lea deals with people who are victimized so totally and brutally that her own version of being a target of assault pales in comparison. She always insists, “I never suffered. This is what I want to be doing. I am one of the freest people I know. I don’t experience alienation. ” Lea is wired that way—to live her life in a sociopolitical maze and obstacle course. She is living her own version of some kind of survivor reality show quite happily. MZ: So how did Lea feel about the movie being done about her? RLJ: She makes changing the world look fun. She doesn’t shy from exposure, but she’s also not concerned about how she will be portrayed. She’s not here to please. She doesn’t have an ego that needs to be reinforced through credit. But she loves life and the world and all of its wackiness, and she loves to show it to other people, to take people along for the ride. And she doesn’t shy away from her faults. She watched a film that documents a trial that was a total loss. And she’s OK with that, with how she comes across. All she said after she saw the rough cut was, “But why so many wrinkles? ” I really appreciate her, with her faults. People have asked in Q&As what surprised me about her, even knowing her as well as I do. It is her “ism”—her “ism” is human- ism. It’s really simple. She doesn’t just believe in the humanity of her clients and the people she advocates for, she sees the humanity of all her adversaries too—judges, prosecutors, interrogators, who by and large don’t share her worldview at all. She believes all the people who make up the system are people. And they are human beings, and she has the capacity to reach them. Her belief in the system is her belief in people, period. By believing she can get them to see the humanity of her clients, she is also recognizing their humanity. MZ: How is the film funded? RLJ: Our first money was Israeli private money, from the HOT8 cable documentary channel. At first, we got rejected from Israeli film funds and we thought, “OK, this is the new normal, let’s not expect to see public Israeli money, for better or worse. ” Then we tried to fundraise outside the country and by the time we finished the film, we had 10 broadcasters, two co-producers, and several film funds—including Sundance and the Bertha Foundation —on board. Toward the end of filming, we applied and got production funding from the Makor Foundation for Israeli Film and a post-production grant from the Israel Lottery Council for Culture and Arts post-production grant. So, we finally did finish the film with Israeli public funding. Our position was: We are tax-paying citizens, it is within our civil rights to have access to this money. It is not our job to censor them—they would have to censor us. We must delineate the difference between government funding and public funding. We’re not part of the government, but we’re part of the public, and that funding is earmarked for the public. Lea Tsemel, who is working in a legal system that is fundamentally flawed, echoes that way of thinking better than anyone. She takes every case saying, “So long as the system exists, we need to maximize what we can get out of it. ” In many senses, Lea is more of a reformist than she is a revolutionary. MZ: How has its reception been in Palestinian society? RLJ: Incredible. There’s an incredible amount of appreciation for Lea and her work and the role she has played for Palestinians over the years as an ally. So far, it has screened in East Jerusalem in a private screening and there is a lot of interest in screening the film elsewhere in the West Bank, and plans are underway. We screened privately to all the family members and all the Palestinian legal staff and their families, and everyone was moved and pained and grateful that they had been portrayed with dignity, as the hurting people between a rock and a hard place that they are. MZ: What kind of Israeli pushback has there been? RLJ: We premiered internationally at Sundance last January. We didn’t screen in Israel until late May at the Docaviv International Documentary Film Festival. Before the festival [opened], we had three screenings [scheduled]. They all sold out, so they added a fourth. It sold out. They added a fifth after we won the festival, it too sold out. Over the course of one week, roughly 2, 000 Israeli Jews saw the film. There were standing ovations. But then a week later [Culture Minister Miri] Regev came out against it with the usual: “I haven’t seen it and won’t see it but I still know what I think about it. I’m appalled a film like this was even made let alone with public funding. ” It was demonizing, witch-hunting rhetoric, which gave a platform to right-wing vigilante groups like Im Tirtzu to protest the award and the Israel Lottery Council for Culture and Arts folded really fast. [ The council announced it was suspending the prize money for future films and would put Advocate ’s grant under legal review. ] But that gave rise to the most incredible backlash I’ve seen in the last four, five years, [with] the arts community saying enough is enough. The Israel Lottery is basically the biggest arts funder in Israel, and people went so far as to give back grants unspent, along the lines of “it’s either all of us or none of us. ” The solidarity was outstanding. It was beautiful. It felt like people were saying enough is enough. People were saying, “If this is the new normal, we will push back. ” Three months later, the grant was reinstated. There have also been some attempts to go after Lea through the Ministry of Justice, to examine the “legality” of her contract work for the Public Defender’s Office. But the chief public defender has said they have no intention of reexamining her employment. She works for her defendants, she doesn’t work for the government. [ Tsemel is a private-sector lawyer with her own firm who handles cases either privately or on contract through the Public Defender’s Office. ] MZ: To me part of the importance of this film is documenting and archiving the generation of Israelis who remember what it was like before occupation. Do you think her work is becoming more accepted in Israeli society, the notion that Jews and Palestinians need to have equal rights? RLJ: Michel, her husband, when he is describing Lea’s first case, the 1972 trial [of Jews involved in an Arab-Jewish underground], says that the message then was rather simple and today it sounds trivial. “There’s an occupation, there are Palestinians. They have rights. At the time, it sounded revolutionary; today it sounds banal. ” Well—unfortunately, it sounds revolutionary again. When we were looking for archival footage of Lea’s life and work, there’s almost nothing in the ’70s, there’s a little bit in the ’80s, there’s a ton in the ’90s. And then she disappears again. It was a really strong and painful indication of the place that Israeli society has afforded her and what she has stood for in the public sphere. And then she shows up 20 years later in this movie, which is screened on Israeli TV—and all of a sudden we’re entering our fifth month in the cinematheque. Two or three screenings a week for five months! Constantly getting invitations to screen in community centers all around the country, including the Sderot Cinematheque—so not exclusively lefty, Ashkenazi circles. Does it mean things are looking good or better? I doubt it. The jury is still out on whose version of history—meaning the future—is right. I would sum up this year by saying that the solidarity and the interest and openness has been 10 times more potent and noticeable for us than all the censorship and the rabid discourse that came with it. MZ: The last time Israeli documentaries were up for an Oscar was in 2013, when both 5 Broken Cameras and The Gatekeepers were nominated, the former an anti-occupation film. Do you see your film as an anti-occupation film? How does your film stand apart from other political Israeli films that have challenged the status quo? RLJ: I would like to think it goes beyond Israel-Palestine, in that Lea spoke truth to power before the term became trendy and will continue to do so before fear makes it unfashionable. She is a model of engaged citizenship that we’re lacking in this day and age, and a model we’d like to see replicated in Israel-Palestine but also elsewhere. The film clearly has to do with Israel-Palestine but it also has to do with being that kind of person and that kind woman in the world. And doing it decade after decade. The one thing I learned from making this film is that there is no “end. ” There is no better world we will arrive at one day. It doesn’t exist. The 21st century is a monster curveball for those of us who came into critical consciousness in the 20th century. And Lea is living proof that there is no end, but there’s means. You’ll never come close to that “better place” without getting up every morning and going through the motions and doing the work. She models that. There is nothing armchair about her. You don’t sit and wait for that better world. You go out and fight the good fight. If there’s any chance of a slightly better version of the world it’s only because you get up and go practice the means. It’s not an action plan, it’s just action.

BISMILAHIROHMANNIROHIM. KESELAMATAN HANYA UNTUK ORANG - ORANG YANG MENGIKUTI PETUNJUK ALLAH... ALLAHUMMA SHURR MUJAHIDINNA FI PALESTINE ALLA YAHUDI GHOSIDIN. AAMIIN YAA RABB. The actions of a couple of members of the Knesset is no more representative of Israel than AOC and her ilk are representative of the entire United States. Lea Tsemel, Anwältin freelance. Absolutely.

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She's an absolutely brave woman with integrity. Lea Tsemel, Anwältin free web. Let Arabs take control of Israel and see what happens to her. very foolish. Lea Tsemel, AnwÃltin free online. Lea tsemel 2c anw c3 latin free pdf. Lea tsemel 2c anw c3 a4 latin free t4. I am with israel. Lea Tsemel, AnwÃltin free web. Thank you for standing up for people. When you represent Palestinian clients who have little hope in the face of the Israeli courts, you end up representing more than just the hopes of the people of Palestine. You end up doing representing hope in the hearts and minds of the people of Israel, and further in those of people all over the world.

Lea Tsemel, Anwältin freewater. Geez. i hope she doesnt die under mysterious circumstances. The likes of her are far and few in between.

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Glad you rushed to watch it then, DT. Bagels? Babe, that aint weird. People eat them every day. How can a director get things so bad with such a good cast. It's the proverbial question when people go on quiz shows and clearly do not have an understanding of trivia let alone knowledge. This film shows that the director has basically seen the same film over and over again, nothing new at all and no ability.
Ooooh look, petulant, misunderstood young girls either madly dancing or sitting in a circle with other equally drugged girls angry at everything, nope never seen that before. Drama it is not, dross it is, take note Irish Film Board, parents and husband ability does not equate to all family members being talented.

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So cheesy. Love, love, love it. * Looks at the title * Well I guess another porno slipped through YouTubes filtration system. JigSaw but less trap. Seems legit enough to be a horror movie. Filmas She's Missing 2019 HDRip Trukmė: 1h 40min Kalba: Anglų (Originalus) Režisisavo: Alexandra McGuinness Aktoriai: Lucy Fry, Eiza González, Christian Camargo Filmo siužetas: When her best friend goes missing at a rodeo, Heidi goes on a search across the desert, digging up secrets and encountering the violence of life on the road. Dėmesio užsisakykite vip ir žiūrėkite naujausius filmus, serialus, animacija ir tv laidas online lietuvių kalba ir be reklamų per. Ačiū, kad renkates mūsų svetainę.

Download Torrent She's missing and exploited children. Who want to let connor and liana free in there life👇. Remake of a French movie called L' Empreinte ( thumbprint) in 2008 with Catherine Frot and Sandrine Bonnaire. The same scenes.


Download Torrent She's missing persons. This is the amount of people who are scared for you ⤵️. Chinese, Japanese, Dirty knees, look at these. Download torrent she's missing 1. It looks cool but in the same time wtf. I hear Miranda say Such and automatically assume she'll say such fun. I love Miranda! And Emma is my favorite Jane Austen novel (well maybe other than P & P. Download torrent she's missing windows 7. That color looks so good on Gia 🥰. Damon became a doctor after turning into a human. Download torrent she 27s missing new. Watch for 30 minute and "missing" part still not come up, too blah and boring at the beginning. If I finish, maybe lower my rating.

It would be easier if he would just leave her, plenty of fish in The sea. I'M SO EXCITED. Download torrent she's missing woman. She’s Missing is missing a lot more than the absentee of the title. Although the film has an interesting central performance from Lucy Fry, and interesting questions for the viewer to consider, there isn’t enough meat on the bones of this sparse mystery. Lucy Fry plays Heidi, a diner waitress and best friend of Jane (Eiza Gonzalez), living in a small town in middle-of-nowhere New Mexico. Joined at the hip, Jane goes missing shortly after her hastily-organised wedding to soldier Taylor. Heidi braves the harsh desert societies to seek out her friend, perhaps hoping to also find some renewed purpose in her meandering life. Alexandra McGuinness’s film feels like a slightly more considered and female-led version of Under The Silver Lake. The tone has the same sense of noirish mystery, but also the same impotent lack of clarity. The editing in the opening scenes is remarkably cut-happy, frequently switching to only slightly different angles in a way that is merely nauseating rather than tonally disorienting (and this is clearly a stylistic choice not employed, for example, in Mairead McIvor’s other editorial work screening at EIFF, A Girl From Mogadishu). Gonzalez’s performance is also weighed down with delivery that is clearly meant to develop intrigue rather than character. She’s Missing works best when her character is, in fact, missing – which only happens after the opening act. Lucy Fry, on the other hand, gives an excellent central performance as Heidi. Her scenes opposite Christian Carmago’s Lyle – skipping back and forth across the line between confidence and creepiness as a customer who asks her out – are the best of the film. During the focus upon her character the film does make some its more pointed barbs at the state of the USA, Jane declaring “The American Dream has been taken from us” and Heidi being told Lyle – who is in town to set up an immigration detention centre – will “always be ok, because he looks out for himself”. Even as this happens, however, it is done with an unduly foreboding musical score and cryptic line delivery. In this middle segment, the film paints an excellent picture of a profoundly dysfunctional friendship, one based on a destructive and inhibiting co-dependence rather than mutual respect. There is also plenty to be said in favour of the film’s photography; the dusty desaturated locations drains lifeblood from the setting in much the same way said setting does from the characters. Between recent films like She’s Missing, There Will Be Blood, Sicario, TV shows like Breaking Bad, and the varied eras and genres of cinema represented by Easy Rider, Raising Arizona, Sergio Leone Westerns, and even horror-comedy Tremors, the American Southwest has a storied screen history of uncompromising landscapes. The film fully takes a turn, near its conclusion, into the needlessly convoluted mystery territory of, say, Under The Silver Lake. A Josh Hartnett-led cult is introduced, as well as a doubling down on opaque dream imagery (which is a recurring element taking on a fuller form as the film progresses). Although the symbolism of the final scenes – Heidi finally moving her life beyond the dead end it was in – strikes home the idea that America is undermining the efforts of its people to progress in their lives, it has been such a slog that the end of the film feels like an oasis in the desert. She’s Missing is released on iTunes and On Demand from 1st July on Sky Store, Virgin Media, Google Play, YouTube and Amazon. Find all our EIFF 2019 coverage here Some of the coverage you find on Cultured Vultures may contain affiliate links, which may provide us with small commissions based on purchases made from visiting our site. Verdict An excellent central performance and some fantastic situational symbolism doesn’t stop She’s Missing from being swallowed up by its own sense of intrigue.

Who remembers Damon (ian somerhalder) in THe Vampire diaries?♥️. From Wikipedia, the free encyclopedia Jump to navigation Jump to search She's Missing Directed by Alexandra McGuinness Produced by Eamonn Cleary Anna O'Malley Dominic Wright Screenplay by Alexandra McGuinness Starring Lucy Fry Eiza González Music by David Harrington Cinematography Gareth Munden Edited by Mairead McIvor Production company Ripple World Pictures TW Films Release date March 1, 2019 (DIFF) [1] April 30, 2019 ( United States) Language English She's Missing (originally titled Highway) is a 2019 drama film directed by Alexandra McGuinness and starring Lucy Fry and Eiza González. [2] The film premiered at the Virgin Media Dublin International Film Festival in March 2019. [1] Contents 1 Cast 2 Production 3 References 4 External links Cast [ edit] Lucy Fry as Heidi Eiza González as Jane Christian Camargo as Lyle Josh Hartnett as Ren Blake Berris as Gus Sheila Vand as Cherry Antonia Campbell-Hughes as Marina C. J. Wallace as Taylor Olivia Spinelli as Chalet Production [ edit] Principal photography began on mid-July 2017 in New Mexico. [3] [4] [5] Filming wrapped in August 2017. [6] References [ edit] ^ a b ^ Fleming Jr., Mike (12 July 2017). "Lucy Fry & 'Baby Driver's Eiza Gonzalez Take To 'Highway ' ". Deadline Hollywood. Retrieved 3 January 2018. ^ "Production Commences on 'Highway ' ". Irish Film and Television Network. 15 July 2017. Retrieved 3 January 2018. ^ "Feature filming in New Mexico will employ about 200 locals". Ruidoso News. 14 July 2017. Retrieved 3 January 2018. ^ Gomez, Adrian (13 July 2017). "Eiza González, Josh Hartnett to film, 'Highway' in ABQ, Moriarty". Albuquerque Journal. Retrieved 3 January 2018. ^ "#IrishFilm: Principal photography wraps in New Mexico on Alexandra McGuinness' Highway". 10 August 2017. Retrieved 3 January 2018. External links [ edit] She's Missing on IMDb This 2010s drama film–related article is a stub. You can help Wikipedia by expanding it. Retrieved from " " Categories: 2019 films English-language films 2000s female buddy films American female buddy films Films shot in New Mexico 2010s drama film stubs Hidden categories: All stub articles.

Download torrent she's missing song. Download torrent she's missing 2017. A lovely portrait of life in a classic American west tradition. It's nice to see more of a 60s head trip film that also makes a real connection to its characters. I loved it. I really hope they can find her still alive and okay. 🥺 #bringhomedesi 💔🕊.

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I live in kc on the Kansas side and it's been crazy with her search. I'm wondering if someone came forward yet.

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